TRUE STORY KIRA NOIR THINGS TO KNOW BEFORE YOU BUY

true story kira noir Things To Know Before You Buy

true story kira noir Things To Know Before You Buy

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“Magnolia” is many, many (many) things, but first and foremost it’s a movie about people that are fighting to live above their pain — a theme that not only runs through all nine parts of this story, but also bleeds through Paul Thomas Anderson’s career. There’s John C. Reilly as Officer Jim Kurring, who’s effectively cast himself since the hero and narrator of a non-existent cop show in order to give voice to your things he can’t admit. There’s Jimmy Gator, the dying game show host who’s haunted by all of the ways he’s failed his daughter (he’s played via the late Philip Baker Hall in one of several most affectingly human performances you’ll ever see).

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It’s easy to generally be cynical about the meaning (or absence thereof) of life when your work involves chronicling — on an annual basis, no less — if a large rodent sees his shadow in a splashy event put on by a tiny Pennsylvania town. Harold Ramis’ 1993 classic is cunning in both its general concept (a weatherman whose live and livelihood is decided by grim chance) and execution (sounds terrible enough for one day, but what said working day was the only working day of your life?

Established in an affluent Black Neighborhood in ’60s-era Louisiana, Kasi Lemmons’ 1997 debut begins with a regal artfulness that builds to an experimental gothic crescendo, even as it reverberates with an almost “Rashomon”-like relationship to the subjectivity of truth.

It’s now The style for straight actors to “go gay” onscreen, but rarely are they as naked (figuratively and otherwise) than Phoenix and Reeves were here. —RL

The boy feels that it’s rock sound and has never been more excited. The coach whips out his huge chocolate cock, and the kid slobbers all over it. Then, he perks out his ass so his coach can penetrate his eager hole with his massive black dick. The coach strokes until he plants his seed deep from the boy’s stomach!

The movie is actually a quiet meditation over the anybunny loneliness of being gay in the repressed, rural society that, while not as high-profile as Brokeback Mountain,

That problem is essential to understanding the film, whose hedonism is actually a doorway for viewers to step through in search of more sublime sensations. Cronenberg’s way is cold and clinical, the near-continual fucking mechanical and colic indiscriminate. The only time “Crash” really comes alive is from the instant between anticipating Loss of life and escaping it. Merging that rush of adrenaline with orgasmic release, “Crash” takes the car for a phallic symbol, its potency tied to its potential for violence, and redraws the boundaries of romance around it.

The people of Colobane are desperate: Anyone who’s anyone has left, its structures neglected, its remaining leaders inept. A serious infusion of cash could really turn things around. And he or she makes an offer: she’ll give the town riches hard sex beyond their imagination if they agree to eliminate Dramaan.

None of this would have been possible if not for Jim Carrey’s career-defining performance. No other actor could have captured the blend of joy and darkness that made Truman Burbank so captivating to both the fictional viewers watching his show and the moviegoers in 1998.

Where does one even start? No film on this list — nearly and including the similarly conceived “Twin Peaks: Fire Walk with Me” — comes with a higher barrier of entry than “The End of Evangelion,” just as no film on this list is as quick to antagonize its target viewers. Essentially a mulligan about the last two episodes of Hideaki Anno’s totemic anime sequence “Neon Genesis Evangelion” (and also a reverse shot of sorts for what happens in them), this biblical mental breakdown about giant mechas along with the rebirth of life in the world would be complete gibberish for anyone who didn’t know their NERVs from their SEELEs, or assumed the Human Instrumentality Project, was just some very hot new yoga pattern. 

Drifting around Vienna over a single night — the pair meet on a train and must part ways come morning — Jesse and Celine have interaction in a number of free-flowing exchanges as they wander the city’s streets.

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As handsome and charming as George Clooney is, it’s hard to imagine he would have been the star he is today if Soderbergh hadn’t unlocked the full depth of his persona with this role.

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